Rythem musicals leading manufacturers and suppliers of Chenda Percussion. Most popular among Kerala's instrumental music forms is chenda melam.
Chenda played during the Onam festival celebration in Delhi. The Chenda is a cylindrical percussion instrument used widely in the state of Kerala, Tulu Nadu of Karnataka and Tamil Nadu in India. In Tulu Nadu it is known as chande. A Chenda is a cylindrical wooden drum, and has a length of two feet and a diameter of one foot. Both ends are covered (usually with animal's skin) with the 'Chenda Vattam'. The animal skin is usually of a cow (Heifer), in a traditional Chenda other skins are not used (skin of bull, ox etc.
Are not used), to have a quality sound the skin from the abdominal part of the cow is taken. The Chenda is suspended from the drummers neck so that it hangs vertically. Though both sides can be used for playing, only one is actually beaten. Using two sticks, the drummer strikes the upper parchment. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called 'Edamthala' and the right side 'Valamthala'. The 'Edamthala' is made of only one/two layer of cow skin and the 'Valamthala' will have a five/seven layer skin, so as to have a bass sound.
The skin are dried under shadow and fastened on wooden rings made of the trunk of a locally available palm tree (Eeranpana) or bamboo, using a gum prepared from the seed of a tree called 'pananchi maram'. The circular frame is kept in a vessel, boiled for an entire day and then bent in the form of circle and dried up. The body of the Chenda which is 2 ft 36 inches diameter and 1.5 inches thickness is made of the soft wood of the jackfruit tree (Varikka Plavu). The thickness is again reduced by 0.25 inches, at simultaneous points separated by 4 inches. This is done in order to produce highly resonating sound. Only the wooden rings with the skin (Chenda Vattam) is replaced once the quality of the sound is not up to the mark. For regular Chenda artistes an average of 15 rings are required every year.
The Chenda is mainly played in Hindu temple festivals and as an accompaniment in the religious art forms of Kerala. The chenda is used as an accompaniment for Kathakali, Koodiyattam, Kannyar Kali, Theyyam and among many forms of dances and rituals in Kerala.
It is also played in a dance-drama called Yakshagana (Tenku Thittu) which is popular in Tulu Nadu of Karnataka. There is a variant of this instrument used in northern school of Yakshagana called Chande. It is traditionally considered to be an Asura Vadyam ((demonic instrument)) which means it cannot go in harmony. Chenda is an unavoidable musical instrument in all form of cultural activities in Kerala.
In Kerala the craft of making Chenda is now associated with some few 'Perumkollan' (smith) families at Peruvembu, Nemmara, Lakkididisambiguation needed, Vellarkad and Valappaya villages. Many famous Chenda percussionists in Kerala make their Chendas from Vellarkad village for it is famous for the quality of the instrument. Source:- Wikipedia This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The collection comprises of 100, 000+ hours of high quality broadcast imagery, mostly shot on HDCAM / SR 1080i High Definition, Alexa, SR, XDCAM and 4K. Write to us for licensing this footage on a broadcast format, for use in your production!
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Chenda and Koal (stick) (ചെണ്ടയും കോലും) The Chanda (: ചെണ്ട, ) is a cylindrical instrument used widely in the state of, Tulu Nadu of and in India. In Tulu Nadu (Coastal Karnataka), it is known as chande.
This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called ' (ഇടം തല)(Left Head) and the right side ' (വലം തല)(Right Head). The 'Edamthala' is made of only one/two layer of cow skin and the 'Valamthala' will have a five/seven layer skin, so as to have a sound.
The skin are dried under shadow and fastened on wooden rings (Chenda Vattam, ചെണ്ട വട്ടം) made of the trunk of a locally available (Eeranpana) or bamboo, using a gum prepared from the seed of a tree called 'pananchi maram'. The circular frame is kept in a vessel, boiled for an entire day and then bent in the form of circle and dried up. The body of the Chenda which is 1 ft in diameter and 1.5 inches thickness is made of the soft wood of the (വരിക്ക പ്ലാവ്) (Varikka Plavu). The thickness is again reduced by 0.25 inches, at simultaneous points separated by 4 inches. This is done in order to produce highly resonating sound. Only the wooden rings with the skin (Chenda Vattam) is replaced once the quality of the sound is not up to the mark.
For regular Chenda artists an average of 15 rings are required every year. The Chenda is mainly played in temple festivals and as an accompaniment in the religious art forms of Kerala. The chenda is used as an accompaniment for, and among many forms of dances and rituals in Kerala.
It is also played in a dance-drama called (Tenku Thittu) which is popular in Tulu Nadu in Karnataka. There is a variant of this instrument used in northern school of Yakshagana called.
It is traditionally considered to be an ((demonic instrument)) which means it cannot go in harmony. Chenda is an unavoidable musical instrument in all form of cultural activities in Kerala. Contents. Types of Chenda Chendas are of different types, depending upon the diameter of the 'Chenda Vattam' (ചെണ്ട വട്ടം) they are called 'Ettara Veechan Chenda' (എട്ടര വീച്ചാൺ ചെണ്ട) (8.5), 'Ompathu Veechan Chenda' (ഒമ്പത് വീച്ചാൺ ചെണ്ട) (9), 'Ompathe Kal Veechan Chenda' (ഒമ്പതേക്കാൽ വീച്ചാൺ ചെണ്ട)(9 1/4), 'Ompathara Veechan Chenda' (ഒമ്പതര വീചാൻ ചെണ്ട)(9.5), 'Ompathe Mukkal Veechan Chenda' (ഒൻപതേ മുക്കാൽ വീചാൻ ചെണ്ട) (9 3/4), 'Ompathe Mukkal Kali Chenda' (ഒൻപതേ മുക്കാൽക്കാലേ വീചാൻ ചെണ്ട)( 9 3/4 but. Chenda Melam led by A 'Chenda Melam' means using Chenda. The Chenda is used as a percussion instrument for almost all art forms like, etc. Chenda melam is the most popular form in Kerala, for more than 300 years.
A Chenda melam is an integral part of all festivals in Kerala. There are 7 types of 'melangal' viz, Champa, Chempada, Adantha, Anchadatha, Druvam.
The earlier 6 melams are called 'Chempada melangal'. Other than these seven 'melams' two more melams are there in Kerala 'Navam' and 'Kalpam'. The 'Chenda Vattam' or the skin used on Chenda should be very thin for classic Chenda Melam like, or for but for Chenda the 'Chenda Vattam' are hard, which are very cheap to make.
'Shingari Melam' is not considered as a classical form of art. Learning. Shinkari Melam A Chenda is taught in a traditional way, the students have to practice on a stone or wood using a strong and thick stick usually made of bark. The learning stick would be 29cm in length, 3 cm in diameter on one side and 2.5cm on other side of the stick. Once the learning on stone is finished, students learn on (വീക് ചെണ്ട) or the (വലം തല) part of the Chenda which is made of multiple layer of skin. The 'Valam Thala Chenda' is played using a long and thin stick. Once the students master to play on 'Valam Thala Chenda', the students start learning on the (ഉര്രുട്ട് ചെണ്ട) or the (ഇടം തല) part of the Chenda which will have only one layer of skin.
While striking on a Chenda with two sticks, the stick on the right hand is hit on the upper part (little above the center part) of the 'Chenda Vattam' and the stick on the left hand is hit on the lower part (little below the center) of the 'Chenda Vattam'. In Kerala a traditional Chenda learning always start and end with a 'Ganapathi Kai' (ഗണപതി കൈ), it is a prayer and dedication done to the Hindu god.
A 'Ganapathi Kai' consists of 37 beats. Dhi.Dhi Dha.Ri. Here the letters starting with 'G' (ഗീ) and 'K' (ക) are beaten using left hand and others by right hand.
ണ ക ത ര കാം ധി രി കി ട ണ ക ത ര കാം ണ ക ത ര കാം ധി കാം. ഡ് ധി രി കി ട ത ക ത ര കാം Once the students learn how to do 'Ganapathi Kai' (ഗണപതി കൈ), the master starts teaching Chenda 'Sadhakam' (സാധകം) or repeated exercise. Usually a 'Sadhakam' starts with a three beat Sadhakam called 'Tha Ki Ta' Sadhakam (ത കി ട സാധകം). A 'Tha Ki Ta' Sadhakam (ത കി ട സാധകം) or the three beat Sadhakam starts with an 'Onnam Kaalam' (ഒന്നാം കാലം) or the first degree of geometric speed.
![Kerala chenda melam Kerala chenda melam](/uploads/1/2/5/4/125498418/856065961.jpg)
Which is the 'thalam' (താളം) or the basic rhythm throughout the Percussion performance (melam). Once the 'Onnam Kaalam' is practiced the students learn to exercise the 'Randam Kaalam' (രണ്ടാം കാലം) or the second degrees of geometric speed, then the 'Muunaam Kaalam' (മൂനാം കാലം) or the third degrees of geometric speed and so on. For a 'Tha Ki Ta' Sadhakam the 'Onnam Kaalam' is 3 beats in a geometric speed. So the 'Randam Kaalam' (രണ്ടാം കാലം) beats would be multiple of 'Onnam Kaalam', 6 beats.
'Muunaam Kaalam' (മൂനാം കാലം) would be multiple of 'Randam Kaalam', 12 beats, 'Naalam Kaalam' (നാലാം കാലം) would be 24 beats and so on. While doing a 'Randam Kaalam', 6 beats should finish by the time taken for the 3 beats of 'Onnam Kaalam'. Similarly the 'Muunaam Kaalam' (12 beats) should finish by the time taken for the 3 beats of 'Onnam Kaalam'. For a 'Naalam Kaalam', 24 beats should finish by the time taken for the 'Onnam Kaalam'. That is the reason the 'Onnam Kaalam' is called the 'thalam' (താളം) or the basic rhythm (time taken to complete a cycle of beats, here for 'Tha Ki Ta', 3 beats).
'Vaai Thari' (വായി താരി), the drum like sound made by the student while beating on the Chenda. 'Vaai Thari' of Tha-Ki-Ta in 1st 2nd 3rd and 4th 'Kaalam'. Ki-(Ta) Tha-(Ka) Tha-(Ri) - Here even if 6 sounds are produced only three beats are done. Ki-Ta Tha-Ka Tha-Ri - Here 6 sounds are produced and 6 beats are done. Ki-Ta-Tha-Ka Tha-Ri-Ki-Ta Tha-Ka-Tha-Ri - 12 sounds are produced and 12 beats are done. Ki-Ta-Tha-Ka-Tha-Ri-Ki-Ta Tha-Ka-Tha-Ri-Ki-Ta-Tha-Ka Tha-Ri-Ki-Ta-Tha-Ka-Tha-Ri 1. കീ.ട ത.ക താ.രി 2.
കീ.ട ത.ക താ.രി 3. കിട.തക തരി.കിട തക.തരി 4.
കിടതക.തരികിട തകതരി.കിടതക തരികിട.തകതരി Kaalam concepts. Different 'Kalam' (കാലം),degree of geometric speed 'Kaalam' (കാലം) is a degree of geometric speed. A 'Kalam' starts with an 'Onnam Kaalam' (ഒന്നാം കാലം) or the first degree of geometric speed.
Which is the 'thalam' (താളം) or the basic rhythm throughout the percussion performance (melam). Once the 'Onnam Kaalam' is practiced the students learn to exercise the 'Randam Kaalam' (രണ്ടാം കാലം) or the second degrees of geometric speed, then the 'Muunaam Kaalam' (മൂനാം കാലം) or the third degrees of geometric speed Then the 'Naalam Kaalam' or the fourth degree of geometric speed and so on. Depending up on the practice and experience a Chenda performer can perform in 7, 8, 9 or even 10 'Kaalam'. If a performer starts with a 3 beat and completes these beats in 4 seconds (geometric speed), it is called an 'Onnam Kaalam' (ഒന്നാം കാലം) of 3 beats. So the 'Randam Kaalam' (രണ്ടാം കാലം) beats would be multiple of 'Onnam Kaalam', 6 beats completed in 4 seconds. 'Muunaam Kaalam' (മൂനാം കാലം) would be multiple of 'Randam Kaalam', 12 beats completed in 4 seconds, 'Naalam Kaalam' (നാലാം കാലം) would be 24 beats completed in 4 seconds and so on.
Similarly if the performer starts with 4 beats and completes the beats in 4 seconds, then 'Randam Kaalam' beats would be multiple of 'Onnam Kaalam', 8 beats completed in 4 seconds, 'Muunaam Kaalam' would be multiple of 'Randam Kaalam', 16 beats completed in 4 seconds. If the performer starts with the same 4 beats and completes the beats in 2 seconds, then 'Randam Kaalam' would be 8 beats and should be completed in 2 seconds, 'Muunaam Kaalam' would be 16 beats and should be completed in 2 seconds. The time to complete one 'Kaalam' is called the 'Thalavattam' (താളവട്ടം) and the 'Onnam Kaalam' (ഒന്നാം കാലം) is called the 'thalam' (താളം) or the basic rhythm of the whole percussion performance. References. See also Wikimedia Commons has media related to.